sábado, 14 de agosto de 2021

The Ongoing Mystery of the Paranormal Paranoids

 “The Paranormal Paranoids investigate the world beyond

Because there are some things we can’t explain

But sometimes a mystery turns out to be a hoax

And other times they’re just inside your brain” 

That annoying tune was the thing I most remember about this clumsy but honest early YouTube channel, where four amateur paranormal researchers –Peter Bailey, Riley Brennan, Laura Tucker and David Reynolds- explored haunted places. There was a haunted cabin in the woods, a haunted schoolyard (they were chased off by the school authorities and later prowled around after nightfall among the kids’ games in the outer schoolyard), and the such. These guys clearly had fun and were quite fun to watch (although Peter came off as pretty annoying with his attempt at making saying "boo!" his signature move). 

I particularly remember when the administrator of an hotel at Puebla, Mexico, suggested in a YouTube comment that they came over, since the hotel was haunted, and they replied they might do it (they probably wanted a vacation, as they would get free rooms); since I was often visiting Puebla, I even considered looking them up, and offered to take them to a couple other interesting locations. In those days, YouTube had a private message function, and I exchanged a couple of messages with Laura if I remember right; nothing groundbreaking of course, she did express her personal interest in hauntings at pre-Hispanic sites so I told her about chaneques and other such spirits, and about Cholula and Tepoztlan as potential locations not so far from Puebla, but that was all (don’t ask; as you know, YouTube eradicated private messages so no, I got nothing). But their trip never happened, because around that time the channel just went dead. I did eventually visit that hotel, and learned about its ghosts, but that’s a different story.

I kept looking into the Paranormal Paranoids channel from time to time, but they never uploaded anything else, and I eventually forgot all about them.

A screenshot of the old Paranormal Paranoids channel.

Until, of course, I learned they suddenly are all the rage in the internet. It turns out that the Paranormal Paranoids team disappeared, not only from YouTube, but literally. They were apparently planning a field trip to some place called Shelby Oaks, and were never heard from again.

A girl who goes by the name JesstheParanoid, who used to be their fan in her early teens, created a Twitter account in order to request information about them. Soon after that, somebody using the nickname N01R^+ who claimed to also be an old fan contacted her, and started uploading clips of video that appeared to be private; some are personal recordings made by Riley and her sister Mia –who was never a part of the team- and even one that seems to be footage from a securitycamera, and typically, replied to any questions evasively. Jess soon created a YouTube channel in order to collect the videos. 

Things took a darker turn when Jess received in her private email (which she had not shared) another video from N01R^+ titled Riley’s Last Message:

 

(I don't see the need to include a warning notice for viewers, as Jess did, since after all -hey, I've posted whole chapters from the Necronomicon here; my readers are jaded by now)

JesstheParanoid’s increasing followers at Twitter have predictably become increasingly involved in the search, helping out in analyzing the videos and digging out additional information. Of course, there have also been detractors; short-memoried people who claim it’s all an ARG –Alternate Reality Game- made up by Jess, just because they don’t recall the old YouTube channel. But some have become quite aggressive, as it usually happens online. I've often encountered people claiming that the Necronomicon is a mere fiction and this blog is a load of lies! Would you believe it? Anyway, here is a very detailed summation of all that has happened until recently... save, of course, for a few things I intend to point out. There is even a great www.paranormalparanoids.com/  fansite at this point! 

Recently, somebody decided to produce a film about Paranormal Paranoids, and they even invited Jess as consultant, which only increased the claims of hoax. At any rate, it IS odd that the filmmakers have taken interest in the case at roughly the same time as Jess worked on her search; perhaps turning stones over uncovered something?

Unfortunately, the existing videos, both private and a few episodes from the old YouTube channel, are not filled with decipherable clues as they would be if this were all an ARG, a fictional game. Even so, there are a few intriguing elements. A figure watching them unnoticed in a forest, an amusing encounter with the “ghost janitor” of an old school (very likely a watcher or a living janitor, since the building had working engines in the basement), and some genuinely strange moments during their visit to an old prison building… but other elements are quite unsettling (also, why does David the cameraman keep filming only Riley? Was he obsessed with her or something? which might also prove meaningful, who knows).

Particularly foreboding is a private video where Riley speaks of having dreamed some of the places they have been filming when she was a child. And another, apparently innocuous, clip is positively disturbing: in it, Riley shows whoever is filming (possibly her sister Mia) her drawing of the face of a woman she dreamed about; the shadowy face is quite sinister, but there is something which makes it far worse: before posting the video, N01R^+ had posted a photo of the drawing in Twitter as response to some of JesstheParanoid’s questions –and the photo was NOT a still from the video. This proves that N01R^+ has access to Riley’s private belongings, and is one of several details that have led people to speculate that the anonymous account might be managed by a surviving member of the Paranormal Paranoids… or perhaps whoever appears in Riley’s sinister final recording. 

Speaking of which, enthusiastic followers of JesstheParanoid enhanced the video and discovered a terrifying image outside Riley’s window, unnoticed by her. The enhanced clip is here:


Now, the shape found outside, while blurry, is clear enough; it’s humanoid in shape, very large. And its horned head first opens its mouth –set unnaturally low- then closes it again, and turns its head quickly, allowing us to glimpse its profile. Vague as it is, there can be little doubt that the head is paler than the rest of the body, and its general shape is much like that of the skull of a horse, goat or deer.

It’s hard not to wonder whether we are witnessing the first actual footage of a Wendigo. 

Image 1 of 5 of the Wendigo's footage.
Image 2 of 5.

Image 3 of 5.

Image 4 of 5.

Image 5 of 5.

Artist's depiction of a Wendigo by Edward Delandre, for comparison. 

Actually, Twitter users were quick to point out the similarity of the vague silohuette to a Wendigo, but this might admittedly seem a bit random... if it weren't because we have a possible actual preexisting link of the Paranormal Paranoids' research to the wind-walking Wendigo lore. 

I quote from a website that compiles the many stories surrounding the township of Boston, popularly known as Helltown, Ohio: 

Helltown Ohio Wendigo Monster: Native American Folklore also surrounds another mythical beast that roams the Helltown hillsides. The Wendigo is a man eating creature that lurks near the Great Lakes and Nova Scotia area. It’s likely this might be one of the oldest legends about the area since it’s origin predates Helltown itself.

Now, in the last of Riley's vlogs, she mentions -as we said earlier-that they have received a lot of requests about going to Helltown, but first they well visit a place called Shelby Oaks, since many requests have come from there; afterwards, possibly, they intended to go to Helltown. 

Remember the security camera footage showing them at a gas station? N01R^+ originally posted it with the darkly-foreshadowing phrase: "Where are they going?": 



An user going by Proof-Personality at the fan-created Paranormal Paranoids Reddit quickly identified the location as a gas station at -you guessed it- Boston, a.k.a. Helltown, Ohio: 


Far subtler, but –in my opinion- creepier in its own way, is something that has passed mostly unnoticed. Some YouTube users have pointed out that, in one of the Paranormal Paranoid episodes where they explore an abandoned jail, early in the video a piece of graffiti is shown that sports the name of Mia, Riley’s sister: 

However, there are dozens of names scribbled on the walls and seen at various points in the episode, and it’s a simple enough name. It’s not so easy to discard its presence not far from where Riley’s own name has been prominently written (although it’s only briefly visible in the footage), something I have seen nobody mention (though I'm probably mistaken). And Riley is hardly a common enough name to be found, so close to that of her sister, precisely at a place they went to investigate. So –even though it may mean nothing… hell, I hope it means nothing, considering the alternatives!- I include it here. I also sent it to Jess just in case:

 

So there. Take care Jess, something dangerous just might be happening. 

"What if the unknown was meant to be left unknown?" -Riley Brennan

 

 

 

 


martes, 4 de mayo de 2021

The Brazier of Eibon and the Rite of the Black Flame

(A chapter from Abdul Alhazred’s Necronomicon,; translated by Luis G. Abbadie)

Thou shalt procure a brazier fashioned from black stone or clay, with three legs, sufficiently large to receive the offerings when it is convenient. On the day of the Sun, and in the hour of Venus, thou shalt inscribe on its side the Seal of Eibon, on one side, and the Elder Sign on the other. For the Seal of Eibon with its three arms will concentrate and disperse, for the benefit of your Operations, while N’tse-Ka’ambl, the Granter of the Elder Sign, is She who presideth over the Black Flame which thou shalt summon and manifest. This is the flame that forms the heart of the Pillar of Fire served by the long-bearded Priests Nasht and Kaman-Thah. This is also the Fire that burns in the heart of each Star, and projects the colours and shades which fill the sky with poison for the Great Old Ones, as well as those which strengthen and release Them.

This is what the great Magician and Necromancer Eibon, from the forgotten hyperborean realm of Mhu Thulan, testifies, and narrates in his Scriptures, of how on one occasion Eibon travelled through the southern provinces of Hyperborea, in the course of his searches for arcane knowledge; and in doing so, he decided to pay a visit to the Necromancer Vinnijar, of Camorba, from whom he hoped to obtain certain rare herbs peculiar to the region of Uthnor, which would prove useful for his sorcerous crafts. Vinnijar abode in a residence secluded from the city, between two crags on the other side of the forest of Ramooz, and Eibon, having arrived in Camorba shortly before dusk, set out thereto upon dawn the following day. Upon his arrival, he found some logs and a bucket abandoned before the front door, and surmised that he would have the opportunity to see his colleague reprimand the laziness of his servants. He had not seen Vinnijar for more than two decades, but well did he recall his great propensity to outbursts of anger, and his shortness of patience. Presently, Eibon knocked on the door, and found no one coming to greet him. He knocked harder, and the door swung open loosely. Surprised, Eibon entered the room, and found two other logs lying on the floor, in front of the fireplace in which the fire was reduced to nearly-extinguished embers. As though the servant who fed the fire, he reflected, had fled in so untimely a manner that he had at first forgotten to drop the wood he had just brought with him.

“Vinnijar!”, The sorcerer risked calling, but as he suspected already, he obtained no answer. Therefore, he ventured inside the dwelling, heading for the stairs. He suspected that the best place to find Vinnijar would be his laboratory, and it would probably be located on the upper floors, but otherwise, it might also be found in the basement.

Eibon went upstairs then, careful to make no noise, as he anticipated that he might encounter something extremely unpleasant, and possibly dangerous. And indeed, it took not long for him to see traces of blood and what could only be guts, scattered on some of the steps before reaching the next floor.

To his left, an open door revealed what he was looking for: the materials and implements of an alchemist cluttered a table, with a shelf full of scrolls beyond it. He approached cautiously, and as he looked in, he saw the edges of a Circle of the Artes laid out on the flagstones of the floor. When the sight became clearer, as he advanced, he noticed that in the perimeter of the Circle there were a dead censer, an open parchment, and more peculiarly, the remains of some already-eaten fruits. As he passed through the lab door, his gaze met that of wild-eyed Vinnijar.

The Necromancer sat, crouched, in the center of the Circle, his robe dishevelled, his hair tousled; and his fear and surprise-fraught eyes were framed by a haggard and pale face. Despite being in the Circle of the Artes, Vinnijar did not look as if he had been interrupted in the middle of some experiment at conjuring.

“Vinnijar!” Eibon saith upon seeing him, and looked around apprehensively. “What has happened here?”

The Necromancer looked around in panic and gestured to silence him.

“Speak not aloud, O Eibon!” he warned. “You could be heard!” Then, approaching the edge of the Circle, he muttered urgently, as if certain that time was short. “It awakens hope in my heart to see thee, my friend,” he saith; “May Tsathoggua let thy arrival announce my salvation, and not thy companionship in doom! Know thee that last night, I was preparing to conjure the Spirits of the Abyss and, after imparting the usual directions to my servants, I set out to carry out the Operation. Too late, I realized that young Rahli, the cook's teen-aged son, who despite my instructions tends to get distracted while I talk to his elders, must have picked up my Brazier from the ground, perhaps believing that it was not part of my instruments since my censer was also at its side. There has he put it, out of my reach!” He pointed to a shelf where, indeed, a Brazier with the Elder Sign inscribed was to be found. “All the rest was due to my own recklessness,” the Necromancer lamented; "when I found it not in my Circle, the need to use it escaped my mind, and the room has been left lacking the complete purification and warding required for the manifestation, without risk, of the Outer Forces!” Vinnijar shook his head in desolation. “That which I called, came in response; unrestrained, it attempted in vain to invade the perimeter of the Circle, and failing to do so, it left to prowl the house. I have heard the screams of horror from the servants, until silence fell. Then it came again, and it has spent the whole night tormenting me, mocking me, with the certainty that sooner or later, fatigue will prevent me from reinforcing the protective barriers, and it will be able to reach me.”

“In that case, ‘twill surely be well within my hands to succor thee,” Said Eibon in order to appease his anguish, otherwise he would not be able to answer certain questions that were of the essence. “But tell me, oh Vinnijar, what is That which thou hast invoked, and which now prowls in this house?”

At that moment they both heard footsteps of a peculiar rhythm coming down the corridor. Eibon glanced over his shoulder, but nothing showed still through the open door.

“Vinnijar! Quickly! What is it?”

“A Shadow from Arkand,” he said, causing Eibon to shudder, as the horror on his colleague's face told him that It had already come.

But what was found at the door was not a Demon of bestial form, nor a living shadow, but a woman, elderly and robust, her clothes soiled with blood. But her face, her eyes! They betrayed an aberrant Presence within what was clearly a corpse, since her open throat showed the marks of a large, bestial claw. Her eyes blazed with a demonic yellow gaze, and a grinning grimace distorted what must once have been a gentle face brimming with the shallow wisdom of the elderly country dwellers. And in her left hand she carried a long, thick stick, plucked from some shed.

“’Tis time to devour thy soul, Sorcerer,” said she, and then, looking at Eibon, she added: “How kind of thee to bring new food for my brethren!”

Eibon, who well knew, from the Pnakotic scriptures, what the Shadows of Arkand were, which are in the habit of seizing corpses and turning them into abominable Necrites or Deadites, those selfsame horrors which had ravaged Arkand at the latter days of a previous Cycle, replied nothing; he merely stepped back, without averting his gaze from that aberration, to stand behind the table cluttered with retorts and urns. The grinning Deadite watched him, finally turning her attention to the Necromancer who crouched within the Circle.

“But ‘tis time, first, to pay thy debt,” said the thing, and raised the stick as if it were a spear, ready to impale Vinnijar.

Eibon moved with swiftness and discretion, reaching across the table to take the Brazier. If it was empty, he would have no time to prepare it, and they would both be lost. But he found it filled with coal. Silently thanking Tsathoggua, he was about to use his tinderbox to ignite it, but he stopped. His gaze fell upon an urn marked with the symbol used by Hyperborean Alchemists to designate oil, and under it, the Seal of Ubbo-Sathla. Eibon grasped it, and poured it until it the coals were half-covered in it. The fire then ignited with great ease, crackling in an unexpectedly thunderous way. 

The Seal of Ubbo-Sathla

The Deadite looked at him in bewilderment. But the stick was no longer in her hand. Eibon caught a glimpse of his friend, the Necromancer Vinnijar, with the stick nailed into his abdomen and writhing in pain as he backed away from the Circle and leaned his back to the wall. But then the thick, warm scent of burned Oil invaded his lungs, choking him, causing his eyes to fill with tears. The Deadite let out a scream more like that of a vulture or winged dragon in agony than like a human cry. Eibon, unable to see her with clarity, turned away and approached Vinnijar, who was collapsing to the ground. Eibon put his hand on the shoulder of the dying Sorcerer as his still-stinging eyes searched for the Deadite: she crouched with her back to the brazier, covering her face as if the fumes were those of a mountain’s liquid fire, unceasingly screaming.

“Eibon…” the Necromancer managed to articulate, and life left his eyes. Eibon stood up and hurried across the room. As he passed the wriggling Deadite, she reacted and rose after him. But Eibon was quick enough to shut the door in the face of the abomination.

“Get thy share,” Eibon said in response to the shrieks and curses that accompanied the banging on the door. The Flame of N’tse-Ka’ambl was purifying the interior of the laboratory, turning it into a space whereat a Being of darkness like the One which animated the Deadite was not capable of surviving. Still, Eibon held his breath, fearing the thing might have enough presence of mind to recall the window and jump out; However, it did not. The banging slowed, the screams reduced to gasps, and finally there was silence.

Eibon then allowed himself to sigh in relief, and left. Let the peasants eventually discover the tragic scene, and let the pious Priests of Yhoundeh exorcise the site, claiming the fate of the Necromancer as a morality fable against the Sorcerous Arts and a triumph for their Goddess. ´Twas another, greater and elder, Goddess who had vanquished the horror this day; and another more mundane and bitter moral which was presented here: When carrying out thy Rites, never forget the unattended Fire, whether it be burning... or unignited.

Bear then in mind the experience of Eibon, that thou dost never forget the importance of the Black Flame upon thy Altar.

The Flame must be lit on coals sprinkled with Ubbo-Sathla’s Oil, which is prepared in the following way: Boil leaves of ivy, cypress and walnut in a base of tree oil, and unto the resulting mixture, once cold, add powdered sulfur and camphor. And when preparing it, make the Sign of Voor over it and say:

 

Ubbo-Sathla h’ftahas

 

In this manner, the source and substance of earthly life nourishes and feeds the Flame which in turn burns in its entrails and awakens the substance to life.

On the first occasion of its use, the Brazier must be duly consecrated with the Greater Consecration, and then the interior of the brazier anointed in Ubbo-Sathla’s Oil, which will no longer be necessary on subsequent occasions; then place coals inside, sprinkle them with oil, and kindle the Fire; while it burns, make the Elder Sign while spealing the words:

 

Granter of the Elder Sign

N’tse-Ka’ambl

Mistress of the Flame

N’tse-Ka’ambl

Shatterer of Worlds

N’tse-Ka’ambl

Queen of the Heavens and the Abyss

N’tse-Ka’ambl

Kindle here Thy Flame.

 

¡C’vo Ch’Isesa Xizo-Ati-Ni-Tho!

 

Thou who doth grant us protection

Grant me now Thy Black Flame

Thou whose shield nothing may pierce

Shield me in Thy heat

Thou who guardeth the Ancient Knowledge

Kindle in me the Flame of Wisdom

Thou who hath conquered Ganzir

Light my Path in light and in shadow,

Kindle here Thy Flame.

 

¡C’vo Ch’Isesa Xizo-Ati-Ni-Tho!

 

Uvhss-J’hon,

Radiant Blackness from Sharhah's entrails

Uvhss-J’hon,

Wall of Fire before the horrors of Yuggoth

Uvhss-J’hon,

Lighthouse of Justice in the Palaces of Glyu-Vho

Uvhss-J’hon,

Eternal Fire from the Sanctuary of N’tse-Ka’ambl

Kindle here Thy Flame.

 

¡C’vo Ch’Isesa Xizo-Ati-Ni-Tho!

 

In the Name of She Who conquered Ganzir,

By eris will and Her Word,

Uvhss-J’hon,

Black Flame rare and resplendent,

light up now this Circle of the Artes

May every Shadow boweth to Thy light.

Uvhss-J’hon,

Black Flame of Wonder,

Bless me with Thy protection.

N’tse-Ka’ambl,

Bless me in my Workings,

Kindle here Thy Flame!

 

¡C’vo Ch’Isesa Xizo-Ati-Ni-Tho!

 

In thy Rites, thou canst also feed the Fire with branches of willow.

 Thou canst also consecrate a bonfire to light the Black Fire upon it, although this is not common except when in Rites with numerous participants, as was done in the times of the early Chaldean; on the contrary, you can also summon the Black Flame by lighting a black candle. However, keep in mind that, when thou dost want to deliver an offering unto the flames, this is not possible with the candle’s small flame.

 Another way, the most powerful, to propitiate Those From Outside, is the Red Offering, which I shall presently speak of.


The previous narrative is a previously undisclosed chapter from Alhazred's opus, rendered from an incomplete Greek text and a severely damaged corresponding section in Wormius' latin version. We have recently had an unique opportunity to cross-check the narrative with the corresponding chapter of the Book of Eibon, thanks to the near-complete copy of Gaspar DuNord's XIIIth Century Livre d'Eibon found as part of the Brzobohatý Files curriently under research at Universidad Valencia of Montecruz, Mexico. 

It bears mentioning that I have favored professor Raymond Knowby's barbarism "Deadite" over the correct Greek term "Nekrite" mainly due to the former being a more familiar word for most readers. 

"The Rite of the Black Flame" has been rendered in careful accordance and cross-check with the works of Joseph S. Pulver, Sr., who was the original translator and researcher who undisclosed the mysteries of the Black Flame or Uvhss-J'hon, after his discovery of the Eibonic scripture "The Adoration of the Black Flame" (to be found in Chaosium's The Book of Eibon).

A long way back, I remember reading an article titled "Wicca 101" at the much-lamented website The Witches' Voice. In it, the author described a neophyte's hypothetical first ritual attempt, narrating how, after tracing the circle, the student might sit before their altar, relax, breathe deep... listen to the sounds of the night... and recall the coffee pot they left on the flame at the stove! Eibon, through Alhazred, suggests that this has been an age-old problem for witches and necromancers! 

lunes, 1 de febrero de 2021

A Chronology of Delomelanicon

 


 (Compiled from various sources)

c.16000 bc A legend found in the Asclemandres gives this fanciful date as that of Satan’s fall to Earth, where he writes the Delomelanicon.

c.2000 bc During the IX Dinasty, the book titled The Nine Gates (Ta en Pest Seb) is written. Centuries later (see c.284), it is rendered in Greek as Delomelanicon.

1300 bc Turis Papyrus mentions Ta en Pest Seb.

c.284 bc Demetrius Falereus, placed in charge of the Alexandrian library by Prolomeus Sother, orders the Greek translation of all the books in the library and the transcription on papyri of all those works written on other materials (such as tablets). It is probably at this point that The Nine Gates is translated under the title Delomelanicon.

I bc – II ac Delomelanicon is quoted several times in the Asclemandres, a text belonging to the Corpus Hermeticum.

c.247 bc The poet Callimacus of Cyrene prepares a catalogue of the Alexandrian library. Fragment 13 (of the 25 surviving portions), the same one that lists the obscure Babylonian poem The Victory of the Old Ones (believed by professor Andrés Venustiano Carranza to be another source document for Alhazred’s Kitab Al-Azif) there is a partially-unreadable title believed by Carranza to be Delomelanicon.

c.200 bc Delomelanicon is translated to Latin as De Tenebrarum Regis Novem Portis (a more faithful rendering) and De Umbrarum Regni Novem Portis, the latter manipulated and adapted by Hebrew Gnostic scholars.

c.600 ac A partial listing from the Alexandrian library lists Delomelanicon, mentioning the nine magickal enigmas it encloses.

640 ac The Arabs conquer Alexandria and burn the library. General Amr ibn-al-As, the city’s conqueror, disregarding the orders of Caliph Omar, follows the advise of, Johannes Phillipus, a commentator of Aristotle and the last librarian of Alexandria, and retrieves a large part of the magickal-occult materials kept in a “secret section” of the library and sends it off to Syria, to Damascus. According to Ibn al Qifti in his book Tarik al-Hukam, the caravan which transported the forbidden books saved from burning –among them, Delomelanicon- is assaulted and the books stolen; professor Andrés Venustiano Carranza speculates that the thieves may have been bandits, but they might also have been members of the very secret brotherhood of scholars which maintained the secret section of the library, of which Johannes Phillipus was also a member (which some of his collaborators went so far as identifying as the forerunners of Giacomo Cagliostro’s Egyptian Freemasonry).

c.735 Abdul Alhazred writes Kitab Al-Azif, including in its corpus various documents he retrieved from those stolen after their rescue from the burning of the Alexandrian library’s secret section, among them Delomelanicon and The Victory of the Old Ones. From it, Alhazred develops the Nine Psalms of Lunacy.

1188 Both Latin versions come to the hands of the Templars.

1266 Roger Bacon (1220-1292) obtains De Tenebrarum Regis Novem Portis and changes the nine illustrations to better adapt them to his times. He claims it is the same copy once held by Solomon, which is of course a fantasy. He is possibly the author of the Latin incunabulum known as the “Noctiluca” (name derived from a verse in the final 9th section, “ab luce noctiluca, veni, venias tenebrae”).

1350 Pérez-Reverte claims that a copy of Delomelanicon belonging to Roger Bacon is burned by personal orders from pope Innocent VI, who declares “it contains a method to invoke the demons”. This is obviously spurious, since Bacon died 1n 1292.

c.1450 “Liber nocte tenebrae; ab luce noctiluca” (the “Book of night’s shadow from light of shining moon”) heavily relies on the incunabulum “Noctiluca”, and is in some ways inferior to it.

c.1500 “De viis inferni” (“The Pathways of Shades”), another incunabulum, its name derived from the verse “de viis inferni, qui portas sereas confregisti”.  

1592 The book is obtained by Giordano Bruno (1548-1600), who adds the two texts, the frontispieces (“Sic Luceat Lux” and “Cum superiorum privilegio veniaque”), and the comments to the illustrations.

1662 A Greek copy of an earlier Hebrew edition of Delomelanicon is confiscated from William Potter’s collection of forbidden documents in colonial New Haven, and burned.

1666 Aristide Torchia prints a translation of Delomelanicon in Venice as De Umbrarum Regni Novem Portis: he expands its contents with his own understanding of diabolism.

1600 (February) Aristide Torchia is burned at Campo dei Fiori.  

1880 Sir Richard Burton writes The Kasîdah of Hâjî Abdû El-Yezdî, also known by researchers as the Necronomicon-incognito, since it is a lengthy poetic text adapted and derived from one or several editions of the Nine Gates texts, either from their separate editions or from the Kitab Al-Azif.

XIXth Century “Alte Könige der neun Türen” (“Old Kings of the nine Doors”), a printed cult pamphlet, undated and uncredited, appears to be a direct literal translation, though it fails to cite the source.

1935 Bruno di Angelo is charged by Aleister Crowley, his teacher at the Abbey of Thelema in Cefalu, Sicily (this must have happened between 1920-1923), to translate Torchia’s De Umbrarum Regni Novem Portis into Italian. Oddly, Di Angelo mentions that the 1666 copy he worked from has been deposited at the Vatican Library.

1993 Arturo Pérez-Reverte writes El club Dumas.

1999 Juan López de Rojas translates Di Angelo’s Italian version to spanish, after finding the manuscript in Florence, and publishes it online through the occultist José Cadaveria in January as Las Nueve Puertas del Reino de las Sombras, including the few annotations made by Crowley in the margins. It is, however, a poor, incomplete and shortened version of Torchia’s text. It is impossible to know whether he chose to simplify the text or he worked from an incomplete copy, his claims of working from the original manuscript notwithstanding.

1999 Roman Polanski films The Ninth Gate. For the film, some changes are made in Bacon’s illustrations; however, the ninth illustration is closer to the original than the one used by Pérez-Reverte.

2008 Ambrose Bertram Hunter compiles Necronomicon: Annotated New Verse Rendition, a volume with several variant texts derived from The Nine Gates, such as the Nine Psalms of Lunacy and Burton’s The Kasîdah, along with the Wormius version of The Tablets of Enoch, a Vetero Testamentary apocrypha.

2015 Frank G. Ripel publishes Delomelanicon, Il Libro delle Nove Porte, consisting of an Italian translation of De Tenebrarum Regis Novem Portis and De Umbrarum Regni Novem Portis, focusing on the aspects of ceremonial magick and Necronomicon Gnosis. On this year, V.L.S.L.V. edits Деломеланикон: Алхимия Хаоса, a Russian translation of De Umbrarum Regni Novem Portis, emphasizing the Gnostic elements.